The Charlatan places the Ballerina in the Moor's room. The Ballerina is attracted to the Moor's handsome appearance. She plays a saucy tune on a toy trumpet represented by a cornet in the original orchestration and then dances with the Moor in a waltz the themes taken from Joseph Lanner 's Op.
Swan Lake (suite), Op.20a (Tchaikovsky, Pyotr)
Petrushka finally breaks free from his cell; he interrupts the seduction of the Ballerina. Petrushka attacks the Moor but soon realizes he is too small and weak. The Moor beats Petrushka. The ballerina faints. The clown-puppet flees for his life, with the Moor chasing him, and escapes from the room. The fourth and final scene returns to the carnival.
Some time has passed; it is now early evening.
The orchestra introduces a chain of colourful dances as a series of apparently unrelated characters come and go about the stage as snow begins to fall. The first and most prominent is the Wet-Nurses' Dance, performed to the tune of the folk song "Down the Petersky Road". Then comes a peasant with his dancing bear , followed in turn by a group of a gypsies, coachmen and grooms and masqueraders.
As the merrymaking reaches its peak, a cry is heard from the puppet-theater. Petrushka suddenly runs across the scene, followed by the Moor in hot pursuit brandishing his sword, and the terrified Ballerina chasing after the Moor, fearful of what he might do. The crowd is horrified when the Moor catches up with Petrushka and slays him with a single stroke of his blade. The police question the Charlatan.
The Charlatan seeks to restore calm by holding the "corpse" above his head and shaking it to remind everyone that Petrushka is but a puppet. As night falls and the crowd disperses, the Charlatan leaves, carrying Petrushka's limp body. All of a sudden, Petrushka's ghost appears on the roof of the little theatre, his cry now in the form of angry defiance.
Petrushka's spirit thumbs its nose at his tormentor from beyond the wood and straw of his carcass. Now completely alone, the Charlatan is terrified to see the leering ghost of Petrushka. He runs away while allowing himself a single frightened glance over his shoulder.
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The scene is hushed, leaving the audience to wonder who is "real" and who is not. The work is divided into four tableaux scenes. The score further indicates the following episodes: . During rehearsals for the premiere, Stravinsky and other pianists including Russian composer Nikolai Tcherepnin used a piano four-hand version of the score.
This has never been published, although Paul Jacobs and Ursula Oppens , among other pianists, have played it in concert. In , Stravinsky created a virtuosic and celebrated piano arrangement for Arthur Rubinstein , Trois mouvements de Petrouchka , which the composer admitted he could not play himself, for want of adequate left-hand technique. In , he thinned the ballet's scoring, in part because the original was not covered everywhere by copyright.
The rapid continuous timpani and snare-drum notes that link each scene, optional in , are compulsory in this version, which was published in The Ballerina's tune is assigned to a trumpet in in place of a cornet , and the version provides an optional fff fortississimo near the piano conclusion. Stravinsky also removed some difficult metric modulations in the First Tableau. Separately Stravinsky created a suite for concert performance, an almost complete version of the ballet but cutting the last three sections.
It was personally conducted by Stravinsky himself and was the first such collaboration. Directed by animator John David Wilson with Fine Arts Films , it has been noted as the first animated special ever to air on television. A full transcription of the version for symphonic wind ensemble in the original key was made by Don Patterson.
From Wikipedia, the free encyclopedia. This article is about the Stravinsky ballet. For the Russian puppet, see Petrushka. The Magician plays the flute The curtain of the Little Theater opens and the Crowd sees three puppets: Petrushka Guignol , a Moor, and a Ballerina The Magician brings them to life by touching them lightly with his flute.
Petrushka, the Moor, and the Ballerina suddenly begin to dance, to the great astonishment of the Crowd Darkness, the Curtain falls.
Russell Harris - Dirigent - Konzertrepertoire
The Wet-Nurses dance with the Coachmen and the Grooms. Stravinsky and Craft , p. Igor Stravinsky. Hidden categories: Wikipedia articles needing clarification from February All pages needing factual verification Wikipedia articles needing factual verification from February Wikipedia articles needing page number citations from February Articles containing French-language text Articles containing Russian-language text Articles with incomplete citations from February Namespaces Article Talk.
Views Read Edit View history. Reduction for the piano 1st, 2nd and 3rd scenes Score of the 1st scene dated February The "Marche solennelle" was originally composed for the opening ceremony of the X th Olympic Winter Games in Grenoble in Not selected, the work has been renamed "Bienvenue en Bourgogne" by the composer. Vaubourgoin Valse pour le funambule G. Petit Rondeau du dresseur de pies A. Genre Categories Suites ; For orchestra ; Scores featuring the orchestra ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For strings arr ; For strings ; Scores featuring string ensemble ; For piano arr ; For 1 player Related Works See also the complete ballet , Op.
- Cien claves de la energía sexual tántrica (Eros) (Spanish Edition);
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- By Composer.
Work Title Swan Lake Alt ernative. First Pub lication. A Full score, pages. Plate Piano 4 hands arr. Langer , 61 pages.
- Words of Counsel to a Dear Dying Friend?
- Il rumore dei baci a vuoto (I coralli) (Italian Edition).
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Piano arr. Langer , 33 pages. For the complete ballet from which this concert suite was extracted, see Swan Lake ballet , Op.
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